Ahí va el diablo

December 15th, 2013


Ahí va el diablo

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A married couple loses their children while on a family trip near some caves in Tijuana. The kids eventually reappear without explanation, but it becomes clear that they are not who they ... See full summary »

Release Year: 2012

Rating: 5.3/10 (194 voted)

Critic's Score: /100

Director: Adrián García Bogliano

Stars: Laura Caro, Francisco Barreiro, Michele Garcia

A married couple loses their children while on a family trip near some caves in Tijuana. The kids eventually reappear without explanation, but it becomes clear that they are not who they used to be, that something terrifying has changed them.

Francisco Barreiro - Felix
Laura Caro - Sol
Alan Martinez - Adolfo
Michele Garcia - Sara
David Arturo Cabezud - Lucio
Enrique Saint-Martin - Encargado gasolinera
Michele Estrada - Doctora
Jessica Iris - Sandra
Dana Dorel - Abril
Juan Carlos Arreguin - Hombre
Giancarlo Ruiz - Sgt. Flores
Barbara Perrin Rivemar - Marcia


Official Website: Official Facebook | Official site

Country: Mexico, USA

Language: Spanish

Release Date: 3 Jan 2013

Filming Locations: Baja California Norte, Mexico

Technical Specs


User Review


Rating: 7/10

It only took two of his movies to make me an avid follower of Adrián García Bogliano. He's the type of cinematic artist I deeply respect and even am somewhat jealous of. We're about the same age, but at "barely" 32 years old Bogliano accomplished nearly a dozen of long feature horror films. And although I'm certainly not claiming his movies are bona fide genre masterpieces, they are definitely interesting to explore and – on a more personal note – the type of movies that I'm looking for the most. They are raw, brutal and nihilistic low-budget exploitation efforts that genuinely re-create the atmosphere of horror during the 70's and early 80's. His "Room for Tourists", for example, is one of the cruelest torture-porn flicks out there and especially his "I'll Never Die Alone" is pretty much the only modern day rape & revenge flick that truly lives up to the prototypes of the seventies, such as "I Spit on your Grave" and "Last House on the Left". Evidently I was very eager to catch his newest effort "Here Comes the Devil" when it played at the Brussels' Festival of Fantastic Films, because it allegedly concerns a homage to the devilish cult flicks of the 70's and one giant homage to "Picnic at Hanging Rock". Bogliana again didn't disappoint, although it's different from his previous work and emphasizing more on character depth and disturbing atmosphere. Our director moved up from Argentina to Mexico for this film (I sincerely hope he isn't on his way to Hollywood!) and serves a compelling cocktail of drama, occult thriller and vigilante action. During a family day trip, Felix and Sol's preteen son and daughter request to go on a hiking trip up a hill while their parents "relax" in the car. They don't come back down, though, and the parents spend a long and petrifying night in a nearby motel. But the kids suddenly show up again the next morning, unharmed and just in a minor state of shock, and they all happily return home together. Over the next few days, however, Felix and Sol witness their children behaving increasingly bizarre and asocial. They presume their offspring fell victim to a perverted child molester and promptly seek for vengeance, but in reality something far more disturbing happened to Adolfo and Sara. They seem possessed by dark forces and deliberately head back to the hillside… The slow and sinister pacing, as well as the detailed character drawings, are the main trumps that make "Here Comes the Devil" such a haunting and unsettling thriller. Felix and Sol are very identifiable characters and, especially if you're a parent yourself, you'll mildly cheer for their unlawful (and slightly inconsiderate) decisions. Bogliano masterfully mounts the tension steadily and professionally towards a nearly unbearable climax that is – admittedly – somewhat derivative and vague, but most of all harrowing. Stellar performances from the ensemble cast, gorgeous filming locations and the exact right amount of blood and violence also contribute in making this is a true gem. Please, if you love real horror, leave all the nowadays CGI ghost and zombie crap for what it is and dig into the repertoire of Adrían García Bogliano.


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