Plot
A comedy about life, love and lasagna.

Release Year: 2011

Rating: 4.3/10 (176 voted)

Director: Franco di Chiera

Stars: Frank Lotito, Holly Valance, Carmelina Di Guglielmo

Writers: Franco di Chiera, Frank Lotito

Cast:
Frank Lotito - Rocco
Holly Valance - Katie
Carmelina Di Guglielmo - Mamma
Osvaldo Maione - Nonno
George Kapiniaris - Theo
Steve Mouzakis - Anton
Nick Farnell - Davo
Cassandra Magrath - Stacey
Sachin Joab - Nishu (Bollywood)
Jim Russell - Larry Stokes
Vince D'Amico - Uncle Peppino
Pia Miller - Maria
Maria Venuti - Mrs. Cotoletta
Costas Kilias - Mr. Cotoletta
Tony Nikolakopoulos - Butcher

Taglines: A comedy about life, love and lasagna.

Official Website: Official Facebook | Official site |

Release Date: 28 July 2011

laboured and lacklustre comedy is excruciatingly unfunny, and falls flat

Rating:

No this is not another film in Martin Lawrence's diabolically unfunny Big Momma's franchise! Taking its cues from the likes of They're A Weird Mob and The Wogboy, Big Mamma's Boy is a local comedy that trades on broad cultural stereotypes and potentially offensive ethnic centric humour for small laughs. To say that it makes the recent Nick Giannopoulos comedy Wogboy 2: The Kings Of Mykonos look sophisticated is to damn it with faint praise. This laboured and lacklustre comedy is excruciatingly unfunny, and falls flat. Big Mamma's Boy is the brainchild of former stand up comic Frank Lotito, who has not only written the script but also taken on the lead role. Lotito plays Rocco Pileggi, a 35-year old real estate agent, who stills lives at home with his overly possessive and widowed mother Teresa (Carmelina Di Gugliemo). When he meets Katie (former pop star and Neighbours star Holly Valance), a rival real estate agent, he considers moving out of home, much to Mamma's displeasure. First time feature film director and co-writer Franco Di Chiera is an AFI award winner who comes from a background in documentary and television drama. But he seems unable to restrain his performers and instil in them a sense of subtlety, comic timing and nicely nuanced performances. Consequently most of the performances are hamfisted and awkward, and play to shrill stereotypes, caricatures and mannerisms. Worst of all is Lotito, a terribly uncharismatic leading man whose performance is flat, over the top and embarrassingly one-dimensional. Comic George Kapiniaris also fares badly with his boisterous performance as Rocco's boss. And Valance is unable to do much with a character that lacks depth. Theatre veteran Di Gugliemo has a few good moments as Mamma, and a wonderful running joke sees her often on her death bed after collapsing following some of Rocco's embarrassing moments. And veteran Maria Venuti brings a sultry and seductive quality to her improbable role as Rocco's neighbour who willingly teaches him some of the essential survival skills for a potential bachelor – cooking, ironing, etc.

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