May 16th, 2017



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Release Year: 2016

Rating: 6.5/10 ( voted)

Critic's Score: /100

Director: Thomas Vinterberg

Stars: Ulrich Thomsen, Fares Fares, Trine Dyrholm

A story about the clash between personal desires, solidarity and tolerance in a Danish commune in the 1970s.

Writers: Tobias Lindholm, Thomas Vinterberg, Ulrich Thomsen, Fares Fares, Trine Dyrholm, Ulrich Thomsen, Fares Fares, Trine Dyrholm, Helene Reingaard Neumann, Julie Agnete Vang, Lars Ranthe, Ole Dupont, Lise Koefoed, Magnus Millang, Martha Sofie Wallstrøm Hansen, Mads Reuther, Adam Fischer, Rasmus Lind Rubin, Oliver Methling Søndergaard, Anne Gry Henningsen, , , , , , , , , , , , , , ,

Ulrich Thomsen - Erik
Fares Fares - Allon
Trine Dyrholm - Anna
Helene Reingaard Neumann - Emma
Julie Agnete Vang - Mona
Lars Ranthe - Ole
Ole Dupont - Elegant Gentleman
Lise Koefoed - Make-up artist
Magnus Millang - Steffen
Martha Sofie Wallstrøm Hansen - Freja
Mads Reuther - Jesper
Adam Fischer - Architect Student
Rasmus Lind Rubin - Peter
Oliver Methling Søndergaard - Johannes
Anne Gry Henningsen - Ditte


Official Website: Official Facebook [UK] | Official site |

Country: Denmark, Sweden, Netherlands

Language: Danish

Release Date: 3 Jan 2016

Filming Locations: Hellerup, Sjælland, Denmark

Technical Specs


Did You Know?

The film is based on Thomas Vinterberg's play of the same name, which is inspired by his colourful childhood in an academic commune north of Copenhagen. See more »


User Review


Rating: 7/10

The emotional upheaval of a tightly-knit community has become Thomas Vinterberg's trademark as a film maker. He explored this theme with great success in 'Festen' and in 'Jagten', and now he does it in 'Kollektivet'. This time, the community is a group of people living together in a large house, a way of living that was trendy in the sixties and seventies. The group consists of friends and acquaintances of architect Erik and journalist Anna. Together, they fill up the huge villa he inherited from his parents. Anna thinks this social experiment can add some spice into her life. After all, she has been married to the same man and doing the same job for fifteen years.

But the cozy atmosphere of having meals and drinking beer together with a group of friends, turns sour when Erik introduces someone new into the group: his girlfriend, a young and pretty student. His wife Anna agrees with this arrangement, and in fact proposes it, hoping to keep Erik close to her. But predictably, the whole experiment ends in tears, fights and bitter reproaches.

Vinterberg's film has a different tone of voice than 'Festen' and 'Jagten'. It is a bit more lighthearted, and less harsh. He not only analyzes the emotional feelings of the characters, but also shows how society has changed in the last forty years. What struck me, was how easily Erik gets away with abject male-centred behaviour. He cheats on his wife practically in front of her eyes, and seems to have hardly any emotional connection to her or their daughter. In the end, it is his girlfriend who has to point out to him that his wife is having an emotional breakdown. But even then, he doesn't see the damage he has created. Instead, he complains that all these 'women issues' distract him from his work. Nowadays, a man would get a slap in the face after saying something like that.

The seventies-atmosphere adds an extra dimension to the film, and the period setting makes it an easier viewing experience than 'Jagten' or 'Festen'. At the same time, it is also less intense. It's nice to watch, but doesn't make you shift uneasily in your chair.


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