Plot
Based on the 1980's TV action/drama, this update focuses on vice detectives Crockett and Tubbs as their respective personal and professional lives become dangerously intertwined.
Release Year: 2006
Rating: 6.0/10 (62,090 voted)
Critic's Score: 65/100
Director:
Michael Mann
Stars: Colin Farrell, Jamie Foxx, Li Gong
Storyline Ricardo Tubbs is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy, as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until - while undercover working with the supplier of the South Florida group - he gets romantically entangled with Isabella, the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one - especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.
Writers: Michael Mann, Anthony Yerkovich
Cast: Colin Farrell
-
Sonny Crockett
Jamie Foxx
-
Ricardo Tubbs
Li Gong
-
Isabella
(as Gong Li)
Naomie Harris
-
Trudy Joplin
Ciarán Hinds
-
FBI Agent Fujima
Justin Theroux
-
Detective Larry Zito
Barry Shabaka Henley
-
Castillo
Luis Tosar
-
Montoya
John Ortiz
-
Jose Yero
Elizabeth Rodriguez
-
Gina Calabrese
Domenick Lombardozzi
-
Detective Stan Switek
Eddie Marsan
-
Nicholas
Isaach De Bankolé
-
Neptune
(as Isaach De Bankole)
John Hawkes
-
Alonzo Stevens
Tom Towles
-
Coleman
Opening Weekend: $25,723,815
(USA)
(30 July 2006)
(3021 Screens)
Gross: $163,777,560
(Worldwide)
Technical Specs
Runtime:|
(unrated director's edition)
Did You Know?
Trivia:
The boat taken to Cuba by Sonny and Isabella is a MTI powerboat named "Mojo" that is on sale for $499,000.
Goofs:
Errors in geography:
The building Neptune and his hookers enter when they are supposedly arriving at Mansion is not Mansion, which has a completely different entrance, located on Washington Avenue.
Quotes: Det. James 'Sonny' Crockett:
[on a shore with Isabella]
This was too good to last.
User Review
Solid but underwhelming
Rating: 7/10
Due to Michael Mann's track record it was hard to go into this movie
without very high expectations. After all, we are talking about the
creator of arguably the greatest crime drama/thriller ever made with
"Heat", as well as the highly entertaining "Collateral". But "Miami
Vice" fails to live up to Mann's past success in the crime genre.
The plot is completely ordinary and doesn't offer up any unexpected
twists and turns along the way. Because of this, the movie lacks
intensity through much of the first and second acts, when everything
that's happening is completely predictable.
However, pedestrian plot aside, the biggest disappointment was the
manner in which the characters were developed. Both "Collateral" and
"Heat" were notable for the way in which they delved deep into the
psyche of the central characters, providing compelling personal drama
to go along with the heists, hits and gunplay. But in "Miami Vice", we
never really get to know the characters or their motivations beyond the
surface level. And to make matters worse, Foxx and Farrell never
develop the kind of rapport that's necessary to make a movie like this
work on a high level. Compare Foxx and Farrell to Johnson and Thomas,
or Gibson and Glover, and you'll see what I mean. Even though the
"Miami Vice" movie aspires to be darker and grittier than "Lethal
Weapon", which it is, it fails to be as dramatic because we never
really come to care about the characters all that much. While there was
clearly a conscious decision to downplay the "buddy" elements of the
movie, the result is that Crockett and Tubbs seem so disconnected from
each other on a personal level that it's hard to buy that they would
die for each other, which we are expected to believe. The only
relationship that is at all convincing or fleshed out is between
Crockett and Isabella. The rest seem decidedly distant and undercooked.
What saves the film from being a bust is the visual splendor and great
action sets. Mann once again proves that when it comes to creating a
gritty atmosphere and staging shootouts, he's among the best in the
business. When it comes to style, visuals, and atmosphere, "Miami Vice"
is top notch.
In the end perhaps what hurt this movie most was studio deadlines and
delays while shooting. It's been widely reported that Michael Mann had
to feverishly edit this film just to get it into theaters on time, and
in many ways that shows. There are multiple loose ends that are never
tied up or explained, and several plot threads seem underdeveloped. I'm
sure some day we will see a director's cut which approaches the 3 hour
mark just like "Heat", and perhaps that version will overcome of the
issues involving character development and plot holes in the theatrical
version. Until then, "Miami Vice" is a movie that, while far from being
a total failure, is none-the-less disappointing in that it had the
potential to be a much more complete film than it is.
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