October 10th, 2017



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Release Year: 2017

Rating: 6.1/10 ( voted)

Critic's Score: /100

Director: Darren Aronofsky

Stars: Jennifer Lawrence, Javier Bardem, Ed Harris

A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Jennifer Lawrence - Mother
Javier Bardem - Him
Ed Harris - Man
Michelle Pfeiffer - Woman
Brian Gleeson - Younger Brother
Domhnall Gleeson - Oldest Son
Jovan Adepo - Cupbearer
Amanda Chiu - Damsel
Patricia Summersett - Consoler
Eric Davis - Bumbler
Raphael Grosz-Harvey - Philanderer
Emily Hampshire - Fool
Abraham Aronofsky - Wanderer
Luis Oliva - Idler
Stephanie Ng Wan - Whisperer

Taglines: seeing is believing


Official Website: Official Facebook | Official Twitter

Country: USA

Language: English

Release Date: 3 Jan 2017

Filming Locations: Montréal, Québec, Canada

Technical Specs


Did You Know?

The film cast includes two Oscar winners: Javier Bardem and Jennifer Lawrence; and three Oscar nominees: Ed Harris, Kristen Wiig and Michelle Pfeiffer. See more »


User Review


Rating: 7/10

I thought this was worth its salt even though it did tend towards cliché as it wore on.

The disappointing aspect of this film is that Jennifer Lawrence somehow portrays an ego that is beyond the character. It's a kind of "you know that I know I'm only acting this and the real movie is me" that seems to have perpetuated in every film she had made since Silver linings Playbook, bar X-Men (when she was covered in paint and having to "live in" the previous "humble" shoes of Rebecca Romijn) and American Hustle (where she was greedy White Trash).

She needs a director who can "humble her down", in the same way Eastwood did for Jolie in Changeling, so that her ego is less of a distraction for her acting.


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May 28th, 2009



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Still of Hye-ja Kim in MotherStill of Hye-ja Kim in MotherStill of Bin Won and Hye-ja Kim in MotherStill of Bin Won in MotherStill of Hye-ja Kim in MotherJoon-ho Bong in Mother

A mother desperately searches for the killer that framed her son for their horrific murder.

Release Year: 2009

Rating: 7.9/10 (9,782 voted)

Critic's Score: 79/100

Director: Joon-ho Bong

Stars: Hye-ja Kim, Bin Won, Ku Jin

A mother lives quietly with her twenty-eight-year-old son, Do-joon, providing herbs and acupuncture to neighbors. One day, a girl is brutally murdered, and Do-joon is charged with the killing. Now, it's his mother's call whether to prove him innocent or to leave him imprisoned.

Writers: Joon-ho Bong, Eun-kyo Park

Hye-ja Kim - Mother
Bin Won - Yoon Do-joon
Ku Jin - Jin-tae (as Goo Jin)
Je-mun Yun - Je-moon (as Jae-moon Yoon)
Mi-sun Jun - Mi-sun
Sae-Byeok Song - Sepaktakraw Detective (as Sae-beauk Song)
Byoung-Soon Kim - Group Leader
Woo-hee Chun - Mi-na
Gin-goo Kim - Ah-jeong's Grandma
Moo-yeong Yeo - Lawyer Kong Seok-ho (as Ou-hyung Yum)
Young-Suck Lee - Elder at Junk Shop
Hee-ra Mun - Moon Ah-jeong (as Hee-ra Moon)
Mi-do Lee - Hyung-teo
Young-ki Jung - Kkang-ma
Gyu-pil Go - Ddung-ddung (as Kyu-phill Ko)

Taglines: She'll stop at nothing.


Official Website: Official site | Official site [France] |

Release Date: 28 May 2009

Filming Locations: Busan, South Korea

Box Office Details

Budget: $5,000,000 (estimated)

Gross: $547,292 (USA) (13 June 2010)

Technical Specs


Did You Know?

South Korea's official submission to 82nd Academy Award's Foreign Language in 2010.

User Review

No idea this film would end up the way it did (and I'm not telling)

Rating: 10/10

It's too bad that because this film is ostensibly about an old lady it must be considered a "smaller" film in Bong's oeuvre. It's not. It is every bit as brilliant, and as large, as Memories of Murder, in my opinion.

In many ways this is the natural, and equal, follow-up to Memories of Murder. It's every bit the caper film that one was, and, although slightly more somber in tone, the film keeps unraveling in directions you don't expect making it much more a plot driven movie than a character study. Kim Hye-ja is, however, magnificent as the titular (gawd I hate that word but I'm using it anyway) mother. There is a scene in this film where she tells the family of the victim her son didn't do it and her eyes are so electrically charged it made me jump back from the screen. Mother fires on all cylinders. The direction, cinematography, script, and acting are all grade A. It's one of those films where each of the secondary characters steals the show for a brief period. (How 'bout that cop who kicks the apple from Won Bin's mouth?) Bong does a remarkable job of populating the world of this film with real people and manages to give them depth and development in a very short period of time. I confess to having a little trouble tracking the other female characters in the film, but no matter. There is a scene (without spoiling anything here) where Kim Hye-ja asks the other 'retarded' kid if he has a mother and it's one of the most complex and heart-rending scenes in cinematic history. Hyperbole notwithstanding, just freakin' WOW! on that one when you ponder just why she is crying.

I wasn't sure where Bong was going to end up going as a film maker. Barking Dogs Never Bite was a reasonable debut. Memories of Murder, a masterpiece. But was it a lucky shot? I'm glad I don't have to consider the dismal Antarctic Journal a Bong film if I don't want to. The Host was lots-o-fun, but that's the one that worried me. Maybe he was going to start making blockbuster type films. But now, after recently seeing his contribution to Tokyo!, and now Mother, I have every reason to believe he is going to kick my butt with interesting film for a long time.


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