Storyline
A secretary steals her boss' car to go joyriding. She visits a seaside town she swears she's never been to, but everyone knows her name. And when a body turns up in the trunk of the car, she is the lead suspect in a murder she knows nothing about. Is she going crazy?
Writers: Patrick Godeau, Sébastien Japrisot, Freya Mavor, Benjamin Biolay, Elio Germano, Freya Mavor, Benjamin Biolay, Elio Germano, Stacy Martin, Thierry Hancisse, Sandrine Laroche, Frederic Etherlinck, Alain Bellot, Édouard Giard, François-Dominique Blin, Noémie Morales, Lou Lambrecht, Vera Van Dooren, Chloé de Grom, Inès Dubuisson, , , , , , , , , , , , , , , , ,
Cast: Freya Mavor -
Dany Dorémus
Benjamin Biolay -
Michel Caravaille
Elio Germano -
Stefano, dit Georges (Le jeune homme aux yeux noirs)
Stacy Martin -
Anita
Thierry Hancisse -
Le garagiste
(as Thierry Hancisse de la Comédie Française)
Sandrine Laroche -
La femme du garagiste
Frederic Etherlinck -
Un type de la station service
Alain Bellot -
L'autre type de la station service
Édouard Giard -
Le routier bouquet de violettes
(as Edouard Giard)
François-Dominique Blin -
Le routier du relais
Noémie Morales -
Sylvie
Lou Lambrecht -
La petite fille du garagiste
Vera Van Dooren -
La dame qui a vu
Chloé de Grom -
La jolie brune
Inès Dubuisson -
La fille au chignon
Country: France, Belgium
Language: French
Release Date: 3 Jan
Technical Specs
Runtime:
User Review
Author:
Rating: 8/10
Great aesthetics throughout, beautifully shot, amusingly playful
dialogues -sometimes unreal, sometimes carrying shifting meanings or
seemingly no meaning at all- this film is a dreamy, sensual ride with a
gorgeous actress (and character) on which the camera often lingers...
The male counterpart can also be evocative though, but I like how the
film just celebrates this beautiful woman, and with great music makes
her attitude even more catchy. Meanwhile, the character is ambiguous,
sometimes naive, other times vindicative and strong, sometimes simply
weak. I struggle to find the underlying meaning of the film and though
I have theories I am more than satisfied to let my appreciation of the
movie be on a purely aesthetic level.
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