The Neon Demon

June 25th, 2016


The Neon Demon

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When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has.

Release Year: 2016

Rating: 7.0/10 (2,947 voted)

Critic's Score: 52/100

Director: Nicolas Winding Refn

Stars: Elle Fanning, Christina Hendricks, Keanu Reeves

When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has.

Writers: Nicolas Winding Refn, Nicolas Winding Refn

Elle Fanning - Jesse
Karl Glusman - Dean
Jena Malone - Ruby
Bella Heathcote - Gigi
Abbey Lee - Sarah
Desmond Harrington - Jack
Christina Hendricks - Roberta Hoffmann
Keanu Reeves - Hank
Charles Baker - Mikey
Jamie Clayton - Casting Director
Stacey Danger - Casting Assistant
Rebecca Dayan - Dresser
Helen Wilson - Seamstress
Houda Shretah - Roberto Sarno's Assistant
Taylor Marie Hill - Flirty Model #1 (as Taylor Hill)

Taglines: Beauty isn't everything it's the only thing


Official Website: Official Facebook | Official site |

Country: France, Denmark, USA

Language: English

Release Date: 24 June 2016

Filming Locations: Los Angeles, California, USA

Box Office Details

Budget: $7,000,000 (estimated)

Technical Specs


Did You Know?

The film was shot in chronological order and the ending was created and improvised on set, according to Elle Fanning See more »


User Review


Rating: 9/10

Nicolas Winding-Refn is a director who defies all analysis. Most considered him a surefire "Commercial Success" following on from his exceptional adaptation, Drive back in 2011. However, against all odds Winding-Refn went darker, more subversive and all together more polarising with his 2013 release Only God Forgives.

The Neon Demon is sure to be equally divisive. I was lucky enough to attend the red carpet premiere of the film in Cannes and was personally blown away by it's unique style & vision. It's long slider shots demand attention and draw attention to every minute detail on offer. It's use of mirrors encourages the viewer to look beyond the "real" world and examine what lies on the other side.

Obviously, it goes without saying that this film looks amazing. If nothing else, most of Winding-Refn's supporters or critiques will admit that his films aesthetics are always incredible. However, despite the muted dialogues and slow pacing, the film gripped me for its full 110 minute run time. This was because, although the movie is a "horror", it's so much more. It's an examination of the human obsession with beauty.

Elle Fanning does a remarkable turn as Jesse - a young runaway, trying to make it big in Los Angeles. Her beauty is so powerful that things begin to work to her favour almost immediately on her arrival. More over than that, her beauty seems to encapsulate and draw in those around her, while repelling her peers who scathe her. Her natural beauty is something that all the plastic surgery in LA can't generate.

Jena Malone steals the film as Ruby - a make up artist who befriends Jesse as soon as she arrives in the town. She also introduces Jesse to the vacuous and vindictive pair of models played by Bella Heathcote and Abbey Lee. If you haven't guessed already this is a film with a real focus on females. Although there are a handful of male characters (Dexters Desmon Harrington does an incredible turn as a high power fashion photographer), the focus here is all feminine. Even down to the decision to bring in a female DOP to shoot the film.

There are too many twists and turns to get into here, but all I can say is that this could be Winding-Refn's most powerful movie to date. It's an analysis on the human condition and our obsession with natural beauty. It claws and scratches at our preconceptions and breaks us down, revealing the gooey centre; what makes us tick. Stellar performances, amazing visuals, a banging score and a unique storyline will cement this as a cult classic - of this I am sure.

I cannot wait for the theatrical release if only to have more time to soak in the films dreamy visuals, take in more of the films subtexts and once again be blown away by the force of nature that is NWR.


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